e·piph·a·ny (noun) a sudden intuitive leap of understanding, especially through an ordinary but striking occurrence. |
It
was that tree. The setting sun made it iridescent against the puffy clouds and
deep blue sky. It was late January, but it wasn’t cold. I could hear the
panting of the two Rottweilers – Lionel and Mack – as they walked down the
country road. I knew the bees were dormant for the winter inside their hives. The
horses were quietly standing, nearly motionless, up on the hill. Behind me were
the black and branded beef cows, lying down, quietly looking at me. In a matter
of weeks they would all be making their way to the slaughter house. The winter
silence was disrupted when a flock of wild turkeys suddenly scampered across
the field. To my right, the geese raised a ruckus which got the male donkey
hee-hawing, and the chickens bustled in their pen.
It
was that tree, and that moment as I stood there with my camera, when a feeling
of breathlessness came over me. My heart beat fast, and a feeling of unexpected
joy washed over me. I have been taking photos since I was nine. I grew as an
only child, mostly playing with the ants in the backyard, and when I was nine
someone gave me a Brownie. All through my teens I developed my darkroom skills.
When I began to work I was able to purchase a 35mm SLR, and my picture taking
flourished. I took photos of everything that struck my eye, and not without
criticism. After all, taking pictures is a solitary act. In high school, when I
should have been in the track team, I was in the school’s darkroom instead.
Technology has changed. The darkroom is now a fast CPU, a monitor, a Wacom pad,
and Photoshop – terms which would have meant nothing when I was in school. I
took pictures, and I never stopped, but I never understood what drove me to
this solitary avocation.
It
was that tree and all the life around me that hit me in the head and I was
truly, and without any clichéd intent, I was unabashedly part of it all. The
camera is my connection, no – the camera is my channel to reality. The camera
is what synthesizes all that I see, all that I feel …all that I am. It helps me focus. It makes me truly “see”. I
tell stories, and the camera is my tool.
It
was only a weekend at our friends’ working farm in upstate New York; a place
with no computer, no wireless, no Wi-Fi. I’ve been there before. I’ve even
donned bee protectors to help pull the wax-laden honey, but this day it was
different. I had been feeling a bit confused about … well, about everything,
but this one weekend, this one day, this one sunset, this one moment, that woke
me.
It
was that tree that made me stop; look up; listen; admire; let it all sink in.
It
was that tree that brought me bliss when I least expected it. Thank you, Maple
tree.
Thank you.
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